— If I exist eternally, how shall I exist tomorrow? —
hipinuff:

Otto Freundlich (German, 1878-1943), Thesis, Synthesis, Antithesis, c. 1937. Indian ink on paper 25.5 x 23.4 cm. 
Posted 6 days ago // 122 notes (via mccrayandco , org. hipinuff )
0rient-express:

Etretat | by Jean-François Chamberlan.
Posted 6 days ago // 1,233 notes (via -wankerr , org. 0rient-express )
Posted 6 days ago // 189 notes (via jrcbouillabaisse , org. boyache )
Posted 6 days ago // 12 notes (via mimilin , org. sixtensason )
Posted 6 days ago // 1,283 notes (via mccrayandco , org. rationedriot )
berndwuersching:

Lygia PapeUntitled (from the series Weaving), 1959
Posted 6 days ago // 1,494 notes (via vjeranski , org. berndwuersching )
Posted 6 days ago // 2 notes (via swstark , org. swstark )
blastedheath:

Howard Mehring (American, 1931-1978), Rhythming II, 1966. Acrylic on canvas 52 5/8 x 46½ in.
Posted 6 days ago // 66 notes (via mccrayandco , org. blastedheath )
Posted 6 days ago // 13,220 notes (via mccrayandco , org. crookednose )
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wasbella102:

:D
Posted 6 days ago // 327 notes (via wasbella102 , org. wasbella102 )
dailyartspace:

DAILY ART FIX:
Peter Schuyff’s characteristic style is exemplified in this humorous layered painting. Interested in the relationship between reality and fantasy, Schuyff appropriates a traditional portrait and overlays a playful, abstract form—appearing like oversized sunglasses—across the subject’s face, undercutting the gravitas of traditional portraiture.
Posted 6 days ago // 45 notes (via mccrayandco , org. dailyartspace )

Los Angeles (US 257/10a), negative, 1976; print, 1980, Grant Mudford. Gelatin silver print. 19 1/4 x 13 1/8 in. © Grant Mudford
Posted 6 days ago // 372 notes (via mccrayandco , org. weissesrauschen )
Posted 6 days ago // 1 note (via pharmaco , org. pharmaco )
Posted 6 days ago // 8,674 notes (via dailysketchcrossing , org. dailysketchcrossing )
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